Facetime Interview Redialed: NEW Betsy Wolfe interview: "All Bets Are Off" at Feinstein's/54 Below
From gambling to Broadway Dreams, Betsy Wolfe & I get to the heart of it all including her upcoming solo show debut at Feinstein's/54 Below entitled All Bets Are Off, March 6-9, with special guests Jason Robert Brown (March 6) & Jeremy Jordan (March 7).
In All Bets Are Off, Betsy takes the audience from cow pasture California to the bright lights of New York to conquer Broadway. With the help of songs by Stephen Sondheim, Stevie Nicks, and Jason Robert Brown, she has a lot to talk about. And sing about.
All Bets Are Off will play Feinstein’s/54 Below (254 West 54th Street) from March 6-9. Click here for tickets!
"Call Me Adam's" Facetime interview with Betsy Wolfe:
More on Betsy:
Betsy Wolfe has established herself as one of the most versatile and keenly intelligent Broadway performers of her generation. She just finished starring in the Tony nominated musical Waitress, where she gave a multi-faceted performance as Jenna, a woman struggling in an abusive relationship. Prior to that, she played Cordelia, one of the lovable “lesbians from next door,” in the Broadway revival of Falsettos, directed by James Lapine, which recently aired on PBS. She is perhaps best known for her critically acclaimed performance as Cathy in the Off-Broadway revival of The Last Five Years—but more on that in a minute.
Originally from California, Betsy received her BFA in musical theatre from the Cincinnati Conservatory of Music. At age 20—prior to graduation and before even prior to being able to legally drink or get a British pilot’s license—she made her Carnegie Hall debut with the Cincinnati Pops Orchestra under Maestro Erich Kunzel. After receiving her BFA, Betsy quickly moved on to star as Rona Lisa Peretti in the San Francisco and Boston companies of The 25th Annual Putnam County Spelling Bee. Soon after, she made her Broadway debut in the revival of 110 in the Shade. Betsy gained attention for her next role in both the Off-Broadway and Broadway productions of Sherie Rene Scott’s Everyday Rapture, where she played one of the two Menonettes.
Her casting in Everyday Rapture would prove prescient as, only a few years later, Betsy would be Scott’s successor in one of contemporary musical theatre’s most challenging and well-known roles: Cathy in Second Stage Theater’s revival of Jason Robert Brown’s The Last Five Years. Critics and audiences alike lauded her complex and idiosyncratic performance in the two-person musical.
Betsy’s other Broadway credits include Ellen in the 2014 production of Bullets Over Broadway, directed by Susan Stroman, and Rosa Bud in the revival of The Mystery of Edwin Drood. A few blocks east of Broadway, she appeared as Beth in the City Center Encores! production of Merrily We Roll Along. And on the west coast, she starred in the La Jolla Playhouse world premiere production of Bobby Lopez and Kristen Anderson-Lopez’s new musical Up Here, and created the role of Mary Ann Singleton in ACT's world premiere of Tales of the City, a musical based on the Armistead Maupin novels.
In 2013, Betsy made her Metropolitan Opera debut in Douglas Carter Beane’s adaptation of Die Fledermaus. She has been a guest artist for over 40 symphony, pops, and philharmonic orchestras across the U.S. and internationally, including the New York Philharmonic and Chicago Symphony Orchestra. Recently, she has collaborated with The New York Pops and played to sold-out crowds at Carnegie Hall and the Kennedy Center with their Broadway Today and Women of Notes concerts.
She can be heard on the recordings of Falsettos, Bullets over Broadway, The Last Five Years, The Mystery of Edwin Drood, Everyday Rapture, Stage Door Canteen, 35MM, and Merrily We Roll Along. She can also be seen in the film adaptation of The Last Five Years where she plays a stripper, with a snake named Wayne.